Accéder au contenu principal

Franklin in Paris: watching the first hot air balloon


What has Benjamin Franklin to do with the Montgolfier brothers and their hot air balloon? Well he was exactly in Paris at the spot where the brothers successfully launched their first flying vehicle from the Place de la Concorde, which was then known as Place Louis XV. And he choose a good spot on the other side of the Seine to watch the event, where today is the Quai Anatole France. An excerpt from our upcoming guide on the Founding Fathers in Paris.

From these gardens on December 1, 1783, Benjamin Franklin watched one of the first manned flights of a hot-air balloon, built by the Montgolfier brothers. (The actual takeoff spot was at the entry to the gardens by Place de la Concorde, which we can’t see from here.) Franklin’s interest in this momentous event was twofold: first, he was a member of the Loge Les Neuf Sœurs (the Lodge of the Nine Sisters, named after the nine muses), a French Masonic lodge founded in 1776 and instrumental in garnering French support for the American Revolution. One of the Montgolfier brothers, Jacques-Etienne, was a member of this lodge. (Isn’t it interesting that both the hot-air balloon and the airplane were pioneered by brothers?) Other celebrated lodge members included the philosopher Voltaire, naval hero John Paul Jones, sculptor Jean-Antoine Houdon and Dr. Joseph-IgnaceGuillotin (not, as is often thought, the inventor of the guillotine, but its main promoter as a quick and thus humane means of execution). We’ll hear more about these famous Freemasons later in the tour.

The second and probably more important reason for Franklin’s interest in the balloon launch was his own scientific vocation. After all, he was known in France as “the man who wrested the lightening from heaven.” In fact, he and his scientific exploits (among other achievements) were so famous that he grew tired of posing for painters, sculptors, medal makers and manufacturers of all manner of knickknacks that wound up bearing his likeness (snuff boxes, walking sticks, matchboxes, teacups, candy dishes and more); after lamenting to his sister that his “face” was “as familiar as the man in the moon,” he finally suggested that those looking to exploit his image merely draw inspiration from one of his favorite effigies, a bust by fellow lodge member Jean-Antoine Houdon:.

While Paris was the playground where Franklin practiced his charming “pillow French” and impressive dinner-table diplomacy, many of his most avid admirers–and greatest challenges–were
found further to the west: at the Château de Versailles, where he put on a performance that some called reverse snobbery, others cunning strategy; his biographer Stacy Schiff hailed it as “a great improvisation” (that is the title of her book, whose subtitle is “Franklin, France, and the Birth of America”). Whatever we call it, a performance it was. There he stood, in his signature marten-fur frontiersman’s cap, a simple printer by trade, surrounded by opulence and decadence, pomp and protocol, petitioning one of the most powerful absolute monarchies in the world for heaps of money to fight another of the most powerful absolute monarchies in the world. And he had them at Bonjour! Marie Antoinette was a fan: Before the gout-riddled octogenarian left France in 1785, the queen had a special carriage made in which he could recline all the way to his waiting boat. The ladies of the court were also fans: They had their wigs done up to resemble his headwear. But, according to Ms. Schiff, his outward confidence and ease did battle at times with his inward nervousness and the quite understandable question he asked himself: What is the 10th son of a candle maker doing here?

__________________
--> 2012 Shari Leslie Segall, Rebecca Brite, Pamela Grant 

Commentaires

Posts les plus consultés de ce blog

Le Champ de Mars - Les travaux préparatoires à la Fête de la Fédération

Notre guide sur la Tour Eiffel et le Champ de Mars sera gratuite le 25 octobre. Voici un extrait signé par Alain Rustenholz. Le guide peut être téléchargé pour iPhone et iPad ici . Démolissez mentalement les immeubles des numéros impairs de l’avenue de Suffren, à votre gauche, pour retrouver la configuration du Champ de Mars originel : plus de 400 mètres de large sur près d’un kilomètre de long. Livrés à ce travail de colosses (la destruction de toute une rangée de bâtiments, et même deux : il vous faut abattre aussi le second rang, parallèle au premier, qui se découvre comme vous arrivez rue Octave Gréard), vous voilà, terrassiers, niveleurs, exactement dans la pose, dans la peau de la foule parisienne en cette fin de juin 1790. La Commune de Paris, suivie par l’Assemblée constituante, a proposé que les divers terroirs de la France se rassemblent en une Fédération générale ; le Champ de Mars doit être le creuset de cette fusion. Ce n’est alors qu’un terrain de manœuvre ; on compte

Piranesi studioso del Mausoleo di Adriano

In occasione della pubblicazione della guida su Castel Sant'Angelo ci siamo interessati un momento alla bellissima serie di disegni del mausoleo di Adriano realizzati da Giovanni Battista Piranesi. Giovanni Battista Piranesi fu un grande studioso dell'arte romana e si fra gli altri monumenti dell'antichità si interessò anche molto a Castel Sant'Angelo. Nato nel 1720 a Mogliano Veneto, all'epoca sotto dominio della Serenissima, Piranesi si avvicina all'antichità classica e all'arte grazie alla sua famiglia. Suo fratello Andrea lo introduce alla cultura latina mentre lo zio, magistrato delle acque a Venezia, lo inizia all'architettura e al patrimonio monumentale. A Roma dal 1740, al seguito dell'ambasciatore di Venezia presso la Santa Sede Marco Foscarini, risiede a Palazzo Venezia e entra in contatto con cerchie artistiche, prime fra tutte quelle francesi della Accademia di Francia. Dalla collaborazione con alcuni artisti francesi nascono le pr

Le Louvre médiéval: la salle Saint-Louis (3)

Troisième et dernière étape de notre parcours du Louvre médiéval qui nous mène dans les structures de la forteresse érigée par Philippe Auguste et dans les réaménagements suivants jusqu'à l'époque de Louis IX. Le texte complet de Daniel Soulié, avec un audioguide, peut être téléchargé pour des iPhone/iPad ou Android . On ne sait que peu de choses des aménagements intérieurs de l’ancien Louvre: aucune image n’en est conservée et les rares textes qui y font allusion sont souvent vagues et toujours peu fiables. Le premier Louvre de Philippe Auguste est une simple forteresse qui n’a jamais été dotée des espaces de représentation nécessaires au bon fonctionnement d’une résidence royale. Le roi disposait peut-être de quelques pièces habitables pouvant servir derefuge en cas de danger, mais rien ne permet d’en cerner les caractéristiques.